How To Connect Microphone To DSLR Camera?

Sound quality is an important aspect of video creation. The audio quality of DSLR cameras is typically adequate. Acceptable, on the other hand, isn’t good enough for today’s audience. Given that DSLR cameras provide excellent video, it’s only fair to extricate them from the quagmire of “acceptable” audio quality. The need for outstanding, not simply decent, audio is insatiable. This is why a microphone is a necessary accessory for your DSLR camera. This tutorial will show you how to correctly mount mics on your DSLR camera.

How do I connect a microphone to my camera? There are two ways to connect microphone to DSLR camera

  1. Using an XLR cable and adapter- When it comes to recording high-quality, balanced audio, XLR cables are the industry standard. They have three pins that are linked to an adaptor, which is then hooked onto the DSLR camera’s 3.5mm mini-jack. We’ll go through how to set up an XLR cable a bit further down in this article.
  2. The 3.55 mm mini-plug is used. This is the simplest method to microphone to DSLR camera. It goes without saying that it is the best option for a novice. The majority of DSLR cameras have a 3.5mm jack connector for connecting typical microphone setups. All you have to do now is put your microphone into the jack.

What do you need to connect microphone to DSLR camera?

Let’s start with the most straightforward choice , To use the mini-plug technique to attach a microphone to your DSLR camera, you’ll need the camera, a jack, and the microphone. That’s all there is to it.

The following items are required for the XLR technique

XLR Cable adapter- SLR PURE Audio Adapter or Beachtek DXA-MICRO PRO Audio Adapter (I recommend the Beachtek DXA-SLR PURE Audio Adapter or the Beachtek DXA-MICRO PRO Audio Adapter for this). They are now the two finest alternatives on the market. The microphone and other camera accessories are connected to the DSLR camera through an adapter via the hot-shoe connector on the top of the camera. To connect microphone to DSLR camera, just screw it onto the bottom of the camera like a tripod.

XLR Connector –   You can’t expect an adaptor to do everything for you. It only handles the connection. Multiple audio sources are frequently required for great audio recording. You’ll also need an SLR cable to go with the converter. Male and female ends are included with the cable. They are also available in a variety of lengths ( from 6ft to 30ft on the extremes).

A Microphone– If you don’t have a microphone, you won’t be able to set one up. There are a plethora of microphones available on the market. When buying for microphones, you must consider a number of factors.

Advantages of Using an XLR Microphone over a 3.5mm Microphone

Again, I must say this,

The audio quality of most DSLR cameras is adequate. With my Canon DSLR and a stripped-down camera setup, I’ve been able to create some fantastic video and audio combos in the past. However, the present audience’s requirements cannot be met with “acceptable” quality. I mean, I’ve seen audiences tear apart videos (particularly YouTube replies) for considerably less than audio quality.

Here are some of the benefits of utilizing an XLR microphone rather than a 3.5mm mini-jack

  • You can get professional- level audio with an XLR setup– Using an XLR microphone, as opposed to a 3.5mm microphone, offers you clean audio. Videos shot with XLR-audio accompaniment, according to some audio critics, offer the cleanest of audios.
  • More versatility– Your microphone options with 3.5 mm microphones are restricted to a tiny, often unsatisfactory array of small microphones. I’m not implying that this limited selection of mics fails to provide when called upon. That isn’t the case. Do not, under any circumstances, discard them because of this. The point we’re attempting to convey here is that the XLR series has more diverse possibilities. If you choose the XLR route, for example, you can easily attach a boom pole to your DSLR camera.
  • Automatic gain control cancellation– Your DSLR camera has an automatic gain control function built in. If the audio fades away often or is of poor quality, the AGC, like the automatic ISO function, extends the range of audio frequencies tapped by the camera. While this appears to be a good concept, it isn’t the same when you know the ultimate result. You’ll get lower-quality audio if you boost the automatic gain setting. You won’t have to worry about the DSLR camera’s automated objectiveness ruining your desired audio quality if you utilize an XLR microphone. Furthermore, most XLR microphones outperform 3.5mm microphones in terms of the spectrum of audio frequencies they can capture from the surroundings.

When selecting a microphone for DSLR camera, there are a few things to keep in mind;

Pro-Tip 

Consider These Factors When Choosing A Microphone For DSLR Camera. You might utilize a boom pole to record your audio if you’re doing some heavy photography. The term refers to a boom pole. In the fascinating world of microphone choices, it’s the tallest or longest microphone. It can also capture even the tiniest audio creations. Furthermore, it is quite adaptable. If you’re utilizing such a microphone, you’ll probably need one of these two things: a very long cable to connect the boom pole’s end to the DSLR camera, or a very long cable to connect the boom pole’s end to the DSLR camera. Alternatively, you may eliminate the need for wires by purchasing a wireless plug-on transmitter. I recommend purchasing the Saramonic Professional Transmitter because of its incredible range. It’s also rather light and inexpensive.

How to Set Up a Rig On a DSLR camera, the XLR setup

While using a mini-plug is simple (it’s as simple as grabbing a microphone and plugging it in), it won’t provide you with the variety of audio quality you’re looking for. In fact, the audio from a mini-plug microphone sounds like a joke when compared to what an XLR cable can achieve. Getting an XLR cable and converter is a no-brainer if you’re serious about shooting quality video with a DSLR camera.

Once you have a handle on what you have around you, setting up the XLR setup is simple.

  1. The adapter is attached to the top of your DSLR camera’s hotshot pocket. Screw it in place.
  2. Connect the cable’s male end to the adaptor.
  3. Connect the microphone to the opposite end of the cord.

How to Choose the Best XLR Microphone for Your DSLR?

Though everything about putting up a microphone seems like a video production tutorial for dummies, the difficult part is deciding which microphone belongs on the XLR line at any given time. When deciding the type of XLR microphone to use with your DSLR camera, there are several things to consider. Though it isn’t rocket science, the bewildering number of microphone options might be perplexing to a novice.

When purchasing an XLR Microphone, keep the following in mind:

Wireless/Cable Length

Nothing irritates you more than a microphone that won’t go where you want it to. But it isn’t even the worst part. A microphone setup that restricts your shooting possibilities is unquestionably more infuriating. It makes you irritated with everything. Perhaps this is why a large percentage of photography directors are regarded by on-set actors as all-time Hitlers.

You don’t need a microphone with a long cord for easy vlogging and point-and-shoot situations. If you want to go down the wireless highway, you won’t need anything with a wireless range of hundreds of meters. For films that demand continual motion, microphone adjustment, or connection to a number of audio sources, however, you’ll need hundreds of feet of wire. This is why you should usually go with medium-length cable lengths. Alternatively, you may forego the entire cable-and-camera discussion and go completely wireless. You won’t have to worry about cable length this way ( well, you still have to think about the wireless range too.)

Video type to be shot

The most sedentary of video creators are vloggers. Most vloggers just sit behind their cameras and chat (though this isn’t always the case.) However, if you consider vlogging in that perspective, you’ll see that you don’t need a complex audio setup to achieve great audio on your videos. Most vloggers, in fact, rarely utilize external microphones. They’re content with the 3.5mm jack’s capabilities, just as they are with views, shares, and subscriptions (see what I did there, vloggers?)

To make a long tale short, a basic lavalier microphone or one of those on-camera mics will suffice if you’re recording simple vlog videos. Other types of videos, on the other hand, require more than the vlog’s simplicity. If you’re planning to film a live presentation, for example, a cordless microphone is the ideal solution. If you’re doing a singing performance, though, you’ll want to use a condenser microphone. After all, it’s exactly what you see in every studio performance ( check out the microphone on your favorite YouTube song covers.) A cardioid microphone is the only way to go if you’re recording live music.

Depending on the location of the shoot, most professional video producers utilize a varied microphone set-up. This indicates that having a few diverse microphones is preferable to having 10 identical mics. After all, you won’t be making the same type of video for the rest of your life.

What kind of microphone?

We should have probably changed the subtitle to “microphone listening kind.” However, even in my opinion, claiming that microphones have “listening kinds” is incorrect. After all, at the end of the day, all microphones do listen. In any case, that’s all they’re supposed to do. That’s why, depending on the audio’s directional quality, I opted to divide them into sorts and kinds. Yes, at long last, you have it. When you consider whether a microphone is mono-directional, omnidirectional, bidirectional, cardioid, or shotgun in design, you may further classify it.

The sort of microphone you require is highly dependent on the type of shooting setting you often utilize. Using a lavalier microphone inside a huge auditorium, for example, would be stupid. In that case, a boom pole would be the ideal option.

The four most popular types of microphones are listed below-

  • Shotgun microphones- most popular for video recording

If it weren’t for the fact that we’re talking about exclusive shotgun mics, most XLR microphones would fall into this category.

From the top of the microphone, shotgun microphones can be utilized. They are by far the most popular microphones on the market. Aside from being smaller than some other mics, their positioning at the top of the camera means you won’t have as much wire to tote.

Shotgun microphones are simple to put up as well. All you have to do is get the location perfect because they come with a shotgun connection and a microphone connector. As a result, videography novices may utilize them without difficulty.

  • Headset Microphones- For streaming

The lords of loud settings are headset microphones. If you wish to block out surrounding noises, a headset may simply achieve that for you.

  • Lavalier Microphones- For theater

The smallest devices in this group are lavalier microphones. They’ve been affixed to the topic. They are not only tiny and light, but they also offer a diverse variety of recording options.

  • Handheld Microphones- For interviews

Some individuals prefer to use microphones that they can hold in their hands ( read Journalists.) This entails connecting your camera to a microphone. You’ll need a portable microphone for this. While I am not a fan of portable mics, they do give excellent audio quality.

When buying for a microphone, it’s important to obtain some professional advice on the microphone’s versatility. I know you’re looking for it, but we need to answer everyone’s queries first. If you’re seeking specific guidance, this may not be the best place to look. While there are a number of microphones that function consistently in a variety of shooting settings, when compared to what professional-grade mics can accomplish in the same scenario, the same microphones seem bad and insufficient.

Mounting

I know we’ve spoken about XLR mounting and everything.

In fact, it is all we have discussed in this essay. In any case, we’ve said everything there is to say about XLR mounting. So, haven’t we?

It’s bad news. We haven’t done so. Instead, we’ve just scratched the surface of what has become a raging debate. To go over all of the numerous forms of mounting, it would take a dozen or more articles.

Okay, we’ve all heard of XLR mounting, right? If you still don’t understand, try scrolling up a little. I mean, you most likely missed the bolded response (I hope you didn’t…) If that’s the case, XLR installation entails attaching your microphone to your camera like a hot-shoe flash. Your XLR microphone is easily screwed onto the top of your camera. If you have one of those tiny small 3.5mm microphones, on the other hand, you may utilize the more primitive (and obviously less effective) 3.5mm jack ( hello amateur vloggers.)

Do you prefer stereo or mono?

The majority of video producers agree that shooting in stereo mode is preferable to mono audio. I’d want to take a break. In actuality, that agreement is merely a means of legitimizing post-editing sloth (since mono-audio eliminates the need to edit, combine, splice, and do all of that.)

I’m not implying that shooting with stereo audio is in any way inferior to shooting with mono audio. To be honest, it’s like comparing a brown eggshell to a white one when it comes to stereo and mono modes. At the end of the day, they’re both just eggs that shatter when tossed against a wall. Apart from the fact that it demonizes mono-audio a little too much, this essay on whether you should film in audio or stereo is pretty much right.

Let’s go back to the point before I go any further, shall we?

Some microphones are designed particularly for recording mono sounds. They each take their own audio notes. If you like mono audio recording (as I do), investing in a dedicated mono-microphone is the way to go. Getting a mono-recording microphone, on the other hand, implies you’ll have to shoot your video and record your audio in mono all the time. It could grow old after a while.

Stereo mics, on the other hand, are easy to use and are popular among amateur video makers. The majority of stereo microphones have a modest range. They offer high-quality recording without sacrificing the end product.

Pricing 

Even if the price of a microphone isn’t a huge consideration, finding a microphone that provides great value for money is essential. I’m aware that we can use the cheapest mics available. However, the “cheap” can occasionally cost you a lot more in terms of audio quality.

Medium-range mics are frequently the best alternatives for most video producers. They are not prohibitively costly. On the other hand, they provide enough value to meet the discriminating producer’s ever-changing demands.

When I evaluate something on Amazon, there’s a clause that says I can’t reveal the specific price. But here’s a sliver of what I’m talking about. Consider what you want to do while looking for XLR microphones. If you can’t afford a boom pole, a smaller, less expensive alternative should suffice for the time being. After all, photography isn’t a competition in which the guy with the most expensive (and sometimes absurd) equipment wins. It doesn’t work that way all of the time, at least not in my experience.

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